domingo, 5 de junio de 2022

Funerary Papyrus of Tamesia

 

 

Funerary Papyrus of Tamesia

DateRoman Period, about 100 CE
Dimensions
H: 9 1/8 in. (23.2 cm); W: 11 ft., 7 1/2 in. (3.54 m)
 
 Label TextMade for the tomb, this scroll was to help the woman Tamesia achieve a blessed afterlife. It is a late work derived from a long tradition for Egyptian funerary texts. At first intended only for the pharaohs—the earliest known examples were carved in royal pyramids of the Old Kingdom (2650-2184 BCE)—the use of funerary texts gradually expanded to much broader audiences, as in the famous Book of the Dead. The essential contents were magic spells, sometimes accompanied by illustrations.

The most common form of book in ancient Egypt, scrolls are composed of sheets of papyrus, a plant that grew plentifully in the Nile valley. Craftsmen sliced papyrus stems into strips, then overlaid, pressed and dried them to form sheets of an excellent and durable writing material. Tamesia’s book consists of 25 sheets of papyrus pasted together, with cursive hieroglyphic texts and illustrations written in ink.

The Beginning

The sequence of images and texts takes Tamesia through a gate where she must speak a password. It then shows her mummification, reception of offerings, and entrance into the long Hall of Double Truth. There 42 gods who act as judges hear Tamesia’s “negative confession” (in which she denies a long list of various forms of wrongdoing).
61 words

The Weighing of Tamesia’s Heart and the Enthroned Osiris

In a final trial, Tamesia’s heart—in Egyptian belief the center of memory, emotion, thought, and will—is weighed against a tiny figure of Maat, goddess of truth. If they balance, she will pass. To the right stands the falcon-headed Imentet, who personifies the land of the dead, while on the scale’s balance beam sits the baboon-headed god Thoth, ready to record the verdict. Two gods stand just below: the jackal-headed Anubis, god of embalming, and the falcon-headed Horus. If all goes well, Horus will lead Tamesia into the presence of Osiris, enthroned in his shrine at far left. Represented as both mummy and king, Osiris will decide her fate. The Four Sons of Horus, protectors of the dead, stand on a lotus blossom in front of Osiris. Behind them crouches the frightening monster Ammit—part crocodile, lion, and hippopotamus—who is eager to eat the hearts of those Osiris finds unworthy.

 http://emuseum.toledomuseum.org/objects/60010

sábado, 4 de junio de 2022

estela de Horiraa.

Fragmento de la estela de Horiraa.
Museo Británico.

stela
Museum number
EA20945
Description
Fragment of the stela of Horiraa: from the lower left corner. The ends survive of a funerary inscription of three horizontal lines of incised hieroglyphs, painted black, and reading right to left. Below this are two horizontal lines of black-painted cursive script.
Cultures/periods
30th Dynasty (?)
Ptolemaic (? early)
Findspot
Found/Acquired: Memphis (Egypt)
https://www.britishmuseum.org/collection/object/Y_EA20945

 


 

Itet, sposa di Nefermaat

Itet, sposa di Nefermaat, dalla loro mastaba di Meidum; Chicago, Oriental Institute

 Itet in a scene originally from Nefermaat's tomb in Meidum. Now in the Oriental Institute in Chicago. Behind her on the bottom is a son named Ankherfenedjef. A son behind her to the top has not has a name preserved.

 

public domain 




 

Mastaba of Nefermaat and Itet.

Mastaba of Nefermaat and Itet. Fourth Dynasty. Reign of Snefru, Meidum. Tomb M.16., Bric, and limestone brick walls coating, pieces in Cairo's Egyptian Museum, Louvre and other. Nefermaat was the eldest son of Snefru.

public domain /wiki
 



 

 

Limestone offering table

 


Limestone offering table

 (Htp) 


This rectangular block in limestone constitutes a table of offerings. On its surface, a large "hetep" sign is flanked by four small rectangular bowls. The object, which probably dates from the 4th Dynasty and which comes from a tomb of El Mahasna, bears a short inscription mentioning the name and the titles of the owner.

 GOVERNORATE OF SOHAG:  EL-MAHASNA 

 LIMESTONE

OLD KINGDOM:  4TH DYNASTY ?

 KMKG - MRAH

 

J. Garstang, Mahâsna and Bêt Khallâf, Londres 1902, pl. 32, 33

L. Speleers, Recueil des inscriptions égyptiennes des Musées Royaux du Cinquantenaire à Bruxelles, Bruxelles 1923, 7 nº 45

Porter and Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings V 39

La tierra del toro apis. Dioses, Reyes y Hombres del Egipto Faraonica (Exposition), Pamplona 1997, 119

Lieu de découverte:
L'objet provient des fouilles de J. Garstang (Tombe M 336).

http://www.globalegyptianmuseum.org/record.aspx?id=191





viernes, 3 de junio de 2022

Bone deposit

 


Bone deposit
 Qau Tomb 562 
UC 26085 
 Petrie Museum
 https://www.ucl.ac.uk/museums-static/digitalegypt//qau/archive/uc26085.gif

FIGURINE/STATUETTE

FIGURINE/STATUETTE
This anonymous royal head bears a resemblance to a statuette found in the valley temple of Menkaure/Mycerinus at Giza. It could be a representation of king Shepseskaf, who completed the funerary complex of his predecessor. The king wears a type of horizontally folded hairband which extends down to the top of the eyebrows, and on top of it is an uraeus. The face is very delicately modelled, with round eyes, a forced smile, and a strong chin.
ROCK: LIMESTONE
OLD KINGDOM: 4TH DYNASTY: SHEPSESKAF
iNVENTORY NUMBER E.7117
KMKG - MRAH
La tête appartenait à l'ancienne collection Lady Marion Alford. Elle fut achetée à Londres en 1936.
R. Tefnin, Sculptuur van het Oude Egypte - Statues et statuettes de l'Ancienne Égypte, Bruxelles 1988, 20-21
J.-Ch. Balty, e.a., Koninklijke Musea voor Kunst en Geschiedenis, Brussel, Oudheid - Musées Royaux d'Art et d'Histoire, Bruxelles, Antiquité - The Royal Museums of Art and History, Brussels, Antiquity, Bruxelles 1988, 16
F. Lefebvre et B. Van Rinsveld, L'Égypte. Des Pharaons aux Coptes, Bruxelles 1990, 36
Th. De Putter et Chr. Karlshausen, Les pierres, Bruxelles 1992, 65
K. Finneiser, Beobachtungen zu einem Königskopf des Alten Reiches, GM 163 (1998) 56 n. 15