miércoles, 21 de febrero de 2018
Limestone false door in situ in E face of G 7391
Subjects: Eastern Cemetery: Site: Giza; View: G 7391
Description: Limestone false door in situ in E face of G 7391 (mastaba of Iteti): Museo Egizio, Turin, TUR_S.1843.
http://giza.fas.harvard.edu/ancientpeople/4703/intro/
Description: Limestone false door in situ in E face of G 7391 (mastaba of Iteti): Museo Egizio, Turin, TUR_S.1843.
http://giza.fas.harvard.edu/ancientpeople/4703/intro/
Limestone false door
Description: Limestone false door from E face of G 7391, Iteti: Museo Egizio, Turin, TUR_S.1843 // Falsa porta principale della mastaba di Iteti. Sui montanti esterni sono raffigurati i sacerdoti del culto funerario che recano le offerte al defunto. Sui montanti interni si trovano alcuni familiari
http://giza.fas.harvard.edu/ancientpeople/4703/intro/
http://giza.fas.harvard.edu/ancientpeople/4703/intro/
martes, 20 de febrero de 2018
Eastern Cemetery: Site: Giza; View: G 7391
Eastern Cemetery: Site: Giza; View: G 7391
Appears (without family relationship, if any, indicated) three times in chapel relief in tomb of Iteti (owner of G 7391), chapel entrance door jamb (facade face, north outer jamb, middle register, presenting vessel), north wall (second register, kneeling, top row, second figure from left), and false door (Turin S.1843) of Iteti, north inner jamb (bottom register); relief in situ and false door found in situ in east face of G 7391.
http://giza.fas.harvard.edu/ancientpeople/4703/intro/
Ernesto Schiaparelli
L'accampamento della M.A.I. a Gebelein. Vestito di Bianco, Virginio Rosa. Dalla Fototeca del Museo Nazionale del Cinema.
Fotografía facilitada por el Museo Egipcio de Turín, que hace revivir desde hoy la epopeya de Ernesto Schiaparelli (2ºd)./
Picnic di un gruppo di turisti europei all’interno della sala ipostila del tempio di Karnak, Luxor (1900 circa).
La mostra «Missione Egitto 1903-1920» è aperta al Museo Egizio di Torino
Fotografía facilitada por el Museo Egipcio de Turín, que hace revivir desde hoy la epopeya de Ernesto Schiaparelli (2ºd)./
Picnic di un gruppo di turisti europei all’interno della sala ipostila del tempio di Karnak, Luxor (1900 circa).
La mostra «Missione Egitto 1903-1920» è aperta al Museo Egizio di Torino
lunes, 19 de febrero de 2018
Reclining lion
Reclining lion
The lion played an important role in the imagination of the ancient Egyptians. Fear and awe for the animal demon influenced man's encounters with the animal. Reminders of this fear are amulets in the shape of lions. This small pottery lion is depicted reclining with its jaws slightly open. Lion amulets were used in the Late Period, for example, as protection against snake bites. Statuettes with bases also served as seals or as the decoration on finger rings.
KUNSTHISTORISCHES MUSEUM
http://www.globalegyptianmuseum.org/record.aspx?id=5261
inventoty number 6527
The lion played an important role in the imagination of the ancient Egyptians. Fear and awe for the animal demon influenced man's encounters with the animal. Reminders of this fear are amulets in the shape of lions. This small pottery lion is depicted reclining with its jaws slightly open. Lion amulets were used in the Late Period, for example, as protection against snake bites. Statuettes with bases also served as seals or as the decoration on finger rings.
KUNSTHISTORISCHES MUSEUM
http://www.globalegyptianmuseum.org/record.aspx?id=5261
inventoty number 6527
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