Ropas y tejidos III

Linen marks from the wrappings of Henhenet's mummy

Period: Middle Kingdom

Dynasty: Dynasty 11

Reign: reign of Mentuhotep II

Date: ca. 2051–2030 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), EEF 1906–1907

Medium: Linen

Dimensions: 12 x 10 cm (4 3/4 x 3 15/16 in.)

Credit Line: Gift of Egypt Exploration Fund, 1907

Accession Number: 07.230.1c

metmuseum.org

Linen marks from the wrappings of Henhenet's mummy

Period: Middle Kingdom

Dynasty: Dynasty 11

Reign: reign of Mentuhotep II

Date: ca. 2051–2030 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), EEF 1906–1907

Medium: Linen

Credit Line: Gift of Egypt Exploration Fund, 1907

Accession Number: 07.230.1c.1a, b

metmuseumorg

 

Linen marks from the wrappings of Henhenet's mummy

Period: Middle Kingdom

Dynasty: Dynasty 11

Reign: reign of Mentuhotep II

Date: ca. 2051–2030 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), EEF 1906–1907

Medium: Linen

Dimensions: h. 9 x w. 12 cm (3 9/16 x 4 3/4 in.)

Credit Line: Gift of Egypt Exploration Fund, 1907

Accession Number: 07.230.1c.2

Wooden butterfly pieces

Wooden butterfly pieces to join stone blocks, Temple of Seti I at Abydos. The braces bear the cartouches of Seti I.
asshmolean

necklace terminal

NECKLACE TERMINAL

 SAQQARA NECROPOLIS

gold , glass

 

 8.6 cm X 8.1 cm

 RIJKSMUSEUM VAN OUDHEDEN 

 

 

globalegyptianmuseum

 

 

Figura de fayenza.

Figura de fayenza.
periodo polemaico.

Mide: 18  x 6.5 cm x 10.5 ç				catalogado como :  F 1937/6.9				RIJKSMUSEUM VAN OUDHEDEN [06/001] LEIDEN
globalegyptianmuceum

Tomb of Setau

Tomb of Setau, First prophet of Nekhbet

Dynasty XX

osirisnet,et

Block statue of Djedher

Block statue of Djedher, a fourth century official and sage, in the form of a temple guard. Known as Djedher-the-saviour, it is covered in texts of incantation against ailments. Water poured over the image and collected in the basin at its feet was thought to have healing power. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: Late Period,Thirtieth Dynasty,. Place of Origin: Athribis c.350 BC. Credit Line: Werner Forman Archive/ Egyptian Museum, Cairo . Location: 49.

sarcophagus depicting Horus

Detail from a sarcophagus depicting Horus reviving with the ankh, sign of life, his father Osiris, while standing deities raise their hands in adoration. The text is from the Amduat 'What is in the Underworld' describing the journey of the sun-god through the twelve hours of the night. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period:Late period, 30th Dynasty, 380-343 BC. Credit Line: Werner Forman Archive/ Egyptian Museum, Cairo . Location: 39.

sarchophagui British Museum

 

Painted wooden inner coffin of the prophet of Montu, Hor
XXV dinasty
from Thebes
British Museum
Photo taken by me

Nubkheperra Intef,
XVII dinasty
From Dra Abu el-Naga, Thebes.
British Musem
Photo taken by me.

Mummy case

Mummy case portrait mask of a young woman with curled hair, with glass beaded bronze hoop earrings, inset beads, and glass inlay on chest depicting two orange ankh signs flanked by four Seth-headed was sceptres. The painted scenes include a lotus flower between two Horus falcon heads. Detail. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: Romano-Egyptian, 1st-2nd C AD. Material Size: plaster,linen, glass, beads, h=43 cm. Credit Line: Werner Forman Archive/Sold at Christie's, 1998 . Location: 41A.

Ostraca -Metmuseum

 

Period: New Kingdom

Dynasty: Dynasty 18

Reign: Joint reign of Hatshepsut and Thutmose III

Date: ca. 1479–1458 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Hatshepsut Hole, MMA 1922–1923

Medium: Limestone, ink

Dimensions: H. 9.5 cm (3 3/4 in.); 4.4 cm (1 3/4 in.)
MetMuseum

Period: New Kingdom

Dynasty: Dynasty 18

Reign: Joint reign of Hatshepsut and Thutmose III

Date: ca. 1479–1458 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Hatshepsut Hole, MMA 1922–1923

Medium: Limestone, ink

Dimensions: H 18 cm (3 15/16 in.); W. 10 cm (7 1/16 in.)

Credit Line: Rogers Fund, 1923

Accession Number: 23.3.16

Period: New Kingdom

Dynasty: Dynasty 18

Reign: Joint reign of Hatshepsut and Thutmose III

Date: ca. 1479–1458 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Hatshepsut Hole, MMA 1922–1923

Medium: Limestone, ink

Dimensions: H. 7 cm (2 3/4 in.); W. 12 cm (4 3/4 in.)

Credit Line: Rogers Fund, 1923

Accession Number: 23.3.24

 

Ostracon with liliform capital

Period: Late Period, Saite

Dynasty: Dynasty 26

Reign: reign of Psamtik I

Date: 664–610 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Tomb of Nespakashuty (TT 312, MMA 509a), in the rubbish of the court, MMA 1922–1923

Medium: Limestone, ink

Dimensions: H. 12 × W. 12.5 cm (4 3/4 × 4 15/16 in.)

Ostracon with liliform capital

Period: Late Period, Saite

Dynasty: Dynasty 26

Reign: reign of Psamtik I

Date: 664–610 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Tomb of Nespakashuty (TT 312, MMA 509a), in the rubbish of the court, MMA 1922–1923

Medium: Limestone, ink

Dimensions: H. 11 × W. 12.8 cm (4 5/16 × 5 1/16 in.)

Ostracon with sketch of a harpist

Period: Late Period, Saite

Dynasty: Dynasty 26

Reign: reign of Psamtik I

Date: 664–610 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Tomb of Nespakashuty (TT 312, MMA 509a), MMA 1922–1923

Medium: Limestone, ink

Dimensions: 4 5/16 x 5 7/8 in. (11 x 15 cm) Other: 4.5 cm (1 3/4 in.)

Credit Line: Rogers Fund, 1923

Accession Number: 23.3.31

Ostracon with the Image of a Falcon

Period: New Kingdom

Dynasty: Dynasty 18

Reign: Joint reign of Hatshepsut and Thutmose III

Date: ca. 1479–1458 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Deir el-Bahri, Temple of Hatshepsut, EEF

Credit Line: Gift of Egypt Exploration Fund, 1905

Accession Number: 05.4.122

Sketch of a King

Period: New Kingdom, Ramesside

Dynasty: Dynasty 19–20

Date: ca. 1295–1070 B.C.

Geography: From Egypt, Upper Egypt; Thebes, Valley of the Kings, Davis 1912

Medium: Limestone, ink

Dimensions: H. 14.5 cm (5 11/16 in); w. 5.5 cm (2 3/16 in)

Credit Line: Gift of Theodore M. Davis, 1914

Accession Number: 14.6.192

Ostraca : Metmuseum.org

TT38, the tomb of Djeserkareseneb

 TT38, the tomb of Djeserkareseneb


In front of the seated couple is a festival bouquet, not the usual table of food.
Standing at the other side of this are two of his daughters. Although they appear to stand slightly one behind the other, they are probably standing side-by-side. The first, actually further away than the other, approaches him with a very colourful necklace and the other with bowl of wine. The first is identified by the text above her as "His beloved daughter, the mistress of the house, Nebtaui", the other is "His beloved daughter, Meryre". Thus the first, by her description, is married. The text continues with the words: "She says: 'For your ka. Have a happy day, the counter of the corn, in your mansion of justification, which you made for yourself in the region of the city.' ".

Note that for the first time, Djeserka is identified not just as a "counter of corn" but as "the counter of corn" using the hieroglyph . These words were obviously spoken by the latter of the two sisters, because in front of the first is the horizontal text: "Join a happy day, the counter of the corn of [Amun]", again using a definate "the".

votive cloth

This piece of painted material belongs to the category of "shrouds" and "votive cloths" which have been found in the funerary temple of Montuhotep II at Deir el-Bahari. The majority of fabrics show the male or female owner in the middle of presenting offerings to the goddess Hathor. According to the iconographic details, one distinguishes different groups. The Brussels example belongs to the group which depicts the cow-goddess in a processional barque. Three small columns of hieroglyphs, which surmount the scene, mention the name of the owner and of the local goddess.
 XVIII dinasty
E.2541
KMKG - MRAH

Model of a Cow

The wooden model of a standing cow is carved from a single piece of wood. A peg at the bottom of each hoof was intended to attach the figure to a rectangular base. The body is painted to imitate the natural skin of the animal.

Individual models of cows are not very common in ancient Egyptian art, so this cow may have been part of a butchery or cattle-counting scene.

The deceased possibly hoped to use it in the hereafter as an offering.
EGYPTIAN MUSEUM
JE 38486

Modelle, Asiut

Pelizaeus erwarb die Modelle des Mittleren Reiches (PM 1689 - PM 1694, PM 1697) im Zeitraum von Dezember 1910 bis Januar 1911; nach seiner Information stammen alle Objekte aus Assiut und sogar aus demselben Grab. Er überwies die Modelle im Frühjahr 1911 nach Hildesheim.
globalegyptianmuseum

Objects from Tomb T5 al Naqada

Objects from Tomb T5 al Naqada.
This was one of the largest and most important burials at Naqada.
In the middle of the tomb were 5 detached skulls, with a sixth on a brick at the Southern end.
A mass of bones lay on the floor in a heap and around the slides of the grave.
The presence of one male and at least 4 females in the grave, may suggest the sacrifice of councubines or servants to accompany the deseased....
Such a practice is attested in the secondary burials around the early rotal tomb complexes at Abydos.
Along the North and were steacked eight large jars filled with ashes of Wood and vegetable matter, with some animal bones. One jar preserved a layer of vegetable matter on top of the ash, perhaps a beer offering. At the Sourthern en were wavy- handle jars.

Asshmolean Museum.
number 44.- diorite bag-shaped vessel with lug handles.
number 45.- Barrel shaped jar of red and White breccia.
Photos taken by me.

Templo de Deir el Medina

Templo de Deir el Medina.
Ptolomeo IV Filopator y Ptolomeo VI.
Dedicado a Hathor, Maat, Amenhotep hijo de Hapu e Imhotep.
Despues de la caida del Egipto antiguo fue convertido en monasterio copto.
Con respecto a su estructura, y según el plano de la foto correspondiente, tenemos:
1.- Entrada
2.- Sala hipóstila
3.- Vestíbulo. Con escenas de Ptolomeo VI adorando a varios dioses
4.- Capilla oeste.
5.- Capilla de Hathor.

6.- Capilla este

Fragment of a painted wooden coffin

Body section cut from one of the intricately decorated coffins of the early 3rd Intermediate Period produced for the elite at Thebes. In the first register is the winged scarab beetle supporting the sun disc, flanked by mummiform divinities who include the Sons of Horus. Below, Isis and Nephthys are depicted adoring the Abydos fetish of Osiris and they appear again at each side in postures of lamentation. The name of the owner is not preserved.

Present location NATIONAL MUSEUM OF IRELAND [30/002] DUBLIN
Inventory number L1030:114
Dating 21ST DYNASTY
Archaeological Site THEBES: WEST BANK
Category COFFIN/SARCOPHAGUS PANEL
Material WOOD
Technique PAINTED

Width 44 cm
http://www.globalegyptianmuseum.org/detail.aspx?id=2796

Estela de Seba

Estela de Seba, escriba del tesoro del dios Ptah.
XIX dinastía. Menfis
Neues Museum. Berlín.

Head of a Queen

Head of a Queen

The facial features of this head recur on sculpture dating from the end of Dynasty XXX until well into the Ptolemaic Period (305–30 B.C.). The subject here is either a queen or a goddess, but which one is uncertain because the headdress, which might have provided a clue, is lost.

• Medium: Limestone
• Place Made: Egypt
• Dates: ca. 230 B.C.E.
• Period: Ptolemaic Period
• Dimensions: 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm)  (show scale)
   

  

    
   
   

  • Collections:Egyptian, Classical, Ancient Near Eastern Art
  • Museum Location: This item is on view in Egypt Reborn: Art for Eternity, 19th Dynasty to Roman Period, Martha A. and Robert S. Rubin Gallery, 3rd Floor
  • Accession Number: 86.226.32
  • Credit Line: Gift of the Ernest Erickson Foundation, Inc.
  • Rights Statement: Creative Commons-BY
  • Caption: Head of a Queen, ca. 230 B.C.E. Limestone, 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm). Brooklyn Museum,

  source: website Brooklyn museum