Egyptian
Middle Kingdom, Dynasty 12, reign of Senwosret I
1971–1926 B.C.
Findspot: Nubia (Sudan), Kerma, Tumulus K III, hall A
DescriptionEgyptian
 officials of the Middle Kingdom continued the practice of equipping 
their tombs with statues to house the ka of the tomb owner and to 
provide a focal point for the offering cult. Highly ranked officials 
also dedicated statues of themselves at sanctuaries of gods and deified 
ancestors. Following the experimental and idiosyncratic interlude of the
 First Intermediate Period, sculptors once again produced large-scale 
stone statues, returning to the basic forms and poses established in the
 Old Kingdom.
This
 elegant seated statue of Lady Sennuwy of Asyut is one of the most 
superbly carved and beautifully proportioned sculptures from the Middle 
Kingdom. The unknown artist shaped and polished the hard, gray 
granodiorite with extraordinary skill, suggesting that he was trained in
 a royal workshop. He has portrayed Sennuwy as a slender, graceful young
 woman, dressed in the tightly fitting sheath dress that was fashionable
 at the time. The carefully modeled planes of the face, framed by a 
long, thick, striated wig, convey a serene confidence and timeless 
beauty. Such idealized, youthful, and placid images characterize the 
first half of Dynasty 12 and hark back to the art of the Old Kingdom. 
Sennuwy sits poised and attentive on a solid, blocklike chair, with her 
left hand resting flat on her lap and her right hand holding a lotus 
blossom, a symbol of rebirth. Inscribed on the sides and base of the 
chair are hieroglyphic texts declaring that she is venerated in the 
presence of Osiris and other deities associated with the afterlife.
Sennuwy
 was the wife of a powerful provincial governor, Djefaihapi of Asyut, 
whose rock-cut tomb is the largest nonroyal tomb of the Middle Kingdom. 
Clearly, the couple had access to the finest artists and materials 
available. It is likely that this statue, along with a similar sculpture
 of Djefaihapi, was originally set up in the tomb chapel, although they 
may also have stood in a sanctuary. Both statues were discovered, 
however, far to the south at Kerma in Nubia, where they had been buried 
in the royal tumulus of a Nubian king who lived generations after 
Sennuwy's death. They must have been removed from their original 
location and exported to Nubia some three hundred years after they were 
made. Exactly how, why, and when these pieces of sculpture, along with 
numerous other Egyptian statues, found their way to Kerma, however, is 
still unknown.
ProvenanceFound
 in Sudan, Kerma, K III, hall A, but originally from Egypt. 1913: 
Excavated by the Harvard University-Boston Museum of Fine Arts 
Expedition; assigned to the MFA by the government of the Sudan. 
(Accession Date: July 2, 1914)

 
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